Download lesson files from here.
Most files are for everyone but some were created with a specific Fretroom Guitar student in mind. Either way, have a browse and download whatever you need.
Some useful shapes for the Sus4 chord: 1, 4, 5
Power chord version of this cool song, still sounds awesome.
There is an additional chord bit added (Bridge 1), it uses one chord shape Am which is moved up the neck to make the Dm and Em chords.
Recently discovered this band. I think they nail this style of music. It sounds like it is in their core.
There are two guitar tracks referenced and should be pretty close to the recording.
Quick example of the melody for Malted Milk
It is not exact, nor is it trying to be. They are pretty much the right notes, so the idea is to make it sound right. So how do you do that?
Harmonics are strongest at the 12th, 7th and 5th Fret.
They can be heard elsewhere, but you have to work harder for it.
If on electric then you might need pickups that assist with this.
Examples of well known songs that demonstrate the use of a simple triad or triads being used as a riff.
Using the 3 notes per string concept to create a scale shape, within which you pick out the arpeggio for each starting interval.
This shape is starting from the sixth note in the scale and is therefore position 6.
These multi-octave arpeggios are great for testing your dexterity, understanding of the fretboard. The aim is to play the shape anywhere on the fretboard.
3 notes per string shapes allow you to find chords, melodic runs, arpeggios and other patterns, plus really fast solos!.
Finger Exercises designed to test the player that would call themselves intermediate.
The idea here is the same as with any exercise. It is accuracy and consistency before speed. How slow can you go?
Make sure you look at the fingering suggestions as shown in the stave.
Feel free to make your own patterns.
Lovely song to impress the people who say "can you play guitar? Go on then, play me something then".
The picking pattern needs to be played smoothly and with feeling. The pattern is series of three notes, played in bundles of three. The first of these bundles has an additional bass note.
From Pink Floyd's 'The Wall' album. A nice short acoustic piece that is really cool to play, and with a sweet ending.
If you want to learn this song, try and recognise the different picking patterns first. Get familiar with each pattern you find and then crack on with the song.
The bit that will catch you out is the 4th fret note (F#) on the D string. Got to reach it with your litle finger. Hell yeah!
This shape is starting from the third note in the scale and is therefore position 3.
Really nice solo by Ricki Malet. A great way for guitarists to discover new ideas on phrasing and timing.
This solo is primarily using the C minor Blues Scale with a few little tricks here and there.