Lesson Files

• Theory

• Stave

Nice example of playing with thumb and fingers for a Bluesy Rhythm

It starts of basic and adds a little more each time.

• Theory

• Stave
• TAB

Classic Blues Shuffle

Once you have this, try and stat it on the 5h fret, remember, everything moves up 5 frets, even the open frets.

• Theory

• Stave
• TAB

Nice 12 Bar Blues example using a chord shape that moves up the neck, subtly changing as it goes.

See 12 Bar Blues Strum Chords for the accompanying fretboard diagram.

• Theory

• Fretboard

Chords used for 12 Bar Blues Strum.

Not much of a sequence for the B7 chord as the notes that you might use are not easily available.

• Theory

• Stave
• TAB

Exercises to get your fingers moving fluidly within one of the '3 notes per string' scale shapes.

Use alternate picking throughout and take care to follow the recommended fingering.

• Theory

• Fretboard

This Lesson File extends 3 Notes Per String Shape 1 - Triads.

View that if you haven't already.

To extend the chord to include the 11th interval, simply add the triad that would start from the 5th interval, 1,3,5,7,9,11.

• Theory

• Fretboard

Note (6th July 2013): Guitar Fanatics! I have amended this file as it was incorrect before. Please download this new version.

This Lesson File extends 3 Notes Per String Shape 1 - Triads.

View that if you haven't already.

To extend the chord to include the 13th interval, simply add the triad that would start from the 9th interval, 1,3,5,7,9,11,13.

• Theory

• Fretboard

This Lesson File extends 3 Notes Per String Shape 1 - Triads.

View that if you haven't already.

To extend the chord to include the 7th interval, I simply add the triad that would start from the 3rd interval, 1,3,5,7.

• Theory

• Fretboard

This Lesson File extends 3 Notes Per String Shape 1 - Triads.

View that if you haven't already.

To extend the chord to include the 9th interval, I simply add the triad that would start from the 5th interval, 1,3,5,7,9.

• Theory

• Fretboard

Showing how you can play the chords from the Major Scale using 3 Notes Per String Shape 1.

Major Scale Chord Formula will help if you do not know the chords yet.

• Theory

• Fretboard

Diagram of the shapes created when applying the '3 notes per string' concept to the major scale.

• Theory

• Stave
• TAB

 These three pentatonic scale shapes are all E minor/G Major.

The idea is to get you thinking of applying different concepts like 3 note a pattern over a four note rhythm, and then developing your own ideas.

The licks aim to keep in easily recognisable sounds rather than some bundle of notes that might make a good lick but you do not know how to interpret them